Candy Island
Solo show at Halle Nord, Geneva

«Candy Island» is an installation I made for Halle Nord, an art center in Geneva. It offered an immersive experience to the public by letting them discover its colored interior of stained glass windows made out of sugar, backlit by neon
lights in the manner of a light box.

The shape of the construction and the landscape represented by the stained
glass windows were inspired by the Rousseau Island, located near the MontBlanc bridge in Geneva. This island is an in-between space : a «natural» haven of peace with its trees and birds, but disturbed by the large luminous signs, stores and cars which circulate incessantly on the Mont-Blanc bridge. It is also an emblematic place in Geneva, which owes its existence to the fortification of the city’s lake entrance five centuries ago.

These elements were treated through the following choices of materials: the Isomalt sugar that looks like glass, combined with neon lights that imitate the light of day, giving an impression of natural light even though the installation is in fact a big light box. Together they create a feeling of illusion and disorientation in a space that represents a «natural» landscape, illustrating the harmony of the island, but also bringing to mind popular
tales like Hänsel and Gretel.

White Lite
Solo show at Duplex, Geneva, on an invitation of Remi Dufay

This project emerged of the desire to create an installation in which to show my work. Inspired by the carnival in basel, I built a white cube made out of papier-mâché in the exhibition space. It was a rectangular space (height: 2 meter 20, width: 3 meter, length: 5 meter 30) maintained by a wooden sctructure which bore the white papier-mâché walls. Just like a theater set, the structure and the back of the walls were visible on the outside.

I paid attention to details, like the electrical outlet. Since this space had its own lighting, I shut off that of the building. On the inside of the papier-mâché-space, the walls were white and opaque, while they revealed transparencies similar to the lanterns of the carnival in Basel on the outside. The contrast between the inside and the outside created an immersive experience, which is one of the key caracteristics of the traditional white cube. The spectator was invited to see my artworks inside of the installation.